I have been posting of late, just not here. I’ve put up three posts over at Lithchat discussing the Eurovision Song Contest, in particular the song chosen by the Lithuanian people to represent them at the contest, the subversive “Eastern European Funk.”
The first post merely introduces the song with a few video clips thrown in.
The [...]
Continue reading about Eurovision and neoliberalism: the case of InCulto
I finally saw The Hurt Locker, after wanting to see it forever. I don’t remember what about the original reviews or trailers made me think I’d like it, but the absolute orgy of praise it has received in the months since release only built up the interest.
And now, I don’t get it. I think the [...]
I wrote a little something about James Verini’s fascinating Vanity Fair article about the Moscow newspaper, the eXile, edited by Mark Ames and Matt Taibbi, over on Lithchat. Mostly, the piece prompted an opportunity to think about how my own experiences during the ’90s, especially as they pertained to Eastern Europe, would have been different [...]
Continue reading about Ames, Taibbi, Moscow, and missing the boat
This is, I imagine, the much shorter version of a post I have had simmering in my head for a few weeks now–or, well, actually, many of the issues dovetail with another post that’s been around since new years. But somehow I haven’t sat down to figure out my point rigorously yet, and so I [...]
Continue reading about Making this worth it by going to the streets
There’s a frustrating article by Tim Parks up on the NYRBlog now about the the dull new global novel. I’ll save the breezy history of the novel Parks provides (making an economic and democratic case for moving to the vernacular from Latin) and furnish his closing two paragraphs, which turn the whine into vermouth:
If culture-specific [...]
Continue reading about Should one mourn national literature(s)?
This photo I took in early December. I was in the Marais, found this interesting, and snapped it. It’s on the wall of a branch of HSBC, a huge bank.
A “Cahier des charges” seems to be a “scope statement” or some such businessy thing I don’t understand. But the rest of the text is French [...]
Continue reading about The economy is still busted, a graffiti story
While the big discussion in Washington (other than the snow) lately seems to have been the atavistic Tea Party Convention and the various fantasies of the American that were put on display within (I won’t link to anything since, remember, I’m no longer reading about US politics), the debate about national identity in France, an [...]
Continue reading about The pleasant death of the national identity debate
Holy smokes was I not surprised by the decision this week by the Supreme Court in Citizens United v. FEC. I was always suspicious of the argument that “money is not speech, it’s property,” though I repeated it several times. I agree with Bryan, in that I can’t really imagine that a pesky little thing [...]
Continue reading about America our nation has been beaten by strangers who have bought the laws
When Free came out in 1993, “The Gun and Bible” was instantly my favorite track. It’s a funny and absurd song, funny and absurd in the way that genocide is funny and absurd, that manages, by twisting and repeating one bizarre sample (discounting the coda about drinking and shooting), to efface the cold objectivity of [...]
Continue reading about The Gun and the Bible carved this nation
My love of The Wire connects pretty well with my interest in David Harvey, who taught at Hopkins for a long time and treated Baltimore as an immense site for empirical geographical work. I also suspect that the show’s taking place in Baltimore is part of Walter Benn Michael’s fascination with it, which he’s polished [...]
